John Brown, First Proprietor of the Winchester Mystery House, 1926

I was planning a roller coaster—the Backity Back—
my invention. The tracks leading forward to tracks
that led back. The way thinking carries us, then whips
us. The way maybe she built this: each morning’s trip
down new stairs leading back up old stairs. Not death
but the fear that precedes—the long rickety climb, yes,
that clacking, then the quiet at the peak when we know.

Sure, I never finished building; I was waiting, you know,
for more cash—spun like cotton-candy from fear: yes,
they all wanted thrills. I sold tours of hallways to death,
slipped in cordite and ghosts. The truth’s just one trip,
and we always want more: earthquakes that whip
off whole towers like hats. You can’t tell from the tracks:
won’t know till it hits you: that ride on the Backity Back.

-Alexandra Teague, Three Penny Review

SACRED HEART

I miss praying Hail Marys with my father as we rode in his oversized El Camino
whenever an ambulance sounded in the distance. I miss my mother knocking

on my door each Sunday morning, 8 a.m., insisting it was an insult to Jesus Himself
if I did not get out of bed. There was the white cassock I wore as an altar boy.

The Feast of the Ascension when Tom Carter, yawning wide,
dropped the thirty-pound wooden cross. I miss Father Barry’s horrified gasp.

Everyone was Irish-Catholic; everyone pretended not to know each other’s secrets:
Mr. O’Shea, always in a green blazer on Sunday, who walked out on a wife

and seven children to a start a new life with a twenty-three-year-old florist.
The girl sitting beside me in eighth grade had hair so fiercely red

I couldn’t ignore the crude thoughts intense as sun flares. I miss Sister O’Connor,
eighty years old, blind in one eye, explaining the function of each bead
on the rosary

as David Henry drew stick figures engaged in sexual acts none of us quite
understood.
I will never miss walking to school in ninth grade terrified the distant sky

judged my every thought, or kneeling before my bed praying obsessively,
working myself to tears—three Our Fathers for each person I knew who had died.

I will never forgive Monsignor O’Neil for instructing me to say the Act of
Contrition
as penance for kissing Sara Lyons in the backyard while her parents watched
television.

But there was the annual church bazaar where my father, so often angry,
ran a ping-pong shooting booth looking foolishly kind in a torn felt hat.

And in eleventh grade Father Hickey called our house—my mother answering
the old black rotary telephone—to ask if I’d come out of altar-boy-retirement

to serve Sacred Heart’s centennial celebration. There was the red cardigan
my mother bought, her hair done proudly, and me ringing the chimes

one final time as Father Hickey raised the Holy Eucharist.
I miss the familiarity of the uncomfortable wooden pews, Father Kearns’
sermons,

which oversimplified all human behavior to right and wrong.
I miss the certainty of my unquestioned belief in the Trinity.

And when my mother was dying, I miss Father Hickey—whom I had not seen
in fifteen years, his back now hunched with age—driving to my parents’
house.

There was the dignity of my mother’s Last Rites. How we formed a circle
around her,
my father’s cheeks red with grief, as Father Hickey recited the 23rd Psalm.

I miss holding my mother’s still-living hand those minutes before her
lungs stopped,
that long hour we waited for the undertaker as her forehead cooled,

and how in the empty silence beside my mother’s body I allowed myself—
once again—to repeat every useless prayer she had taught me as a boy.

-Steven Coughlin, Rattle 

I obviously don’t agree with the lack of faith, but this is such a vivid evocation of times and places and details. Love.

Girl Insomniac

“In July, bamboo blades rustled against
paper cranes and prayer strips; I wondered how
I’d made the cut, when I wasn’t a boy
my father wanted, wasn’t a koi princess
my mother said would magically turn
her tail into a pair of legs.
I looked for the fabled rabbits on the moon,
a family of them taking turns
to pound rice into pearly cakes
along their dark, elliptical orbit.”

-from “Girl Insomniac,” Miho Nonaka